Matta's reluctance to abandon the figure in his painting led to a disassociation
from the other surrealists from 1948-59. He lived in various places in Europe during the 50s.
1950
"Nude"
1950 53 x 66 cm.
"Let's Phosphoresce"
1950 148.6 x 179.1 cm.
"Contra vosotros asesinos de Palomas"
1950 (50/40) 200 x 271 cm. private collection, Paris
"Let's Phosphoresce by Intellection I"
1950 149.9 x 177.8 cm. private collection, Chicago
untitled"
ca. 1950 196 x 265 cm. private collection, Rome
untitled"
1950 198 x 208 cm.
"Cleartivity"
1950 142.9 x 148.6 cm.
"Procès Rosenberg"
1950 50 x 39 cm.
"Violent indéfinissable"
ca. 1950 98.9 x 73 cm.
"Figure in Torment"
1950 pastel on paper 72.4 x 91.4 cm.
1951
untitled"
1951 85 x 90 cm.
"Nocturne"
1951 65 x 54 cm.
"Que se despierte el leņador"
1951 144 x 198.4 cm.
"Les Roses sont belles"
1951 201 x 281 cm. private collection, Geneva
"La Mela"
1951 119.7 x 174 cm. private collection, Tarzana, CA
"The Apples Become Morning"
1951 (51/45) 189.4 x 249 cm. The Menil Collection, Houston
"Les évanisseurs"
1951 (51/50) 121 x 176 cm. private collection, Rome
"Ne songe plus à fuir"
1951 (51/66) 200 x 300 cm.
study for "Ne songe plus à fuir"
1951 (51/70) 61.4 x 64.6 cm.
"Landscope"
1951 87 x 117.2 cm.
"Erupting Volcano"
ca. 1951 40 x 50.2 cm.
"Le De-Nommeur Re-Nommé"
ca. 1951
untitled"
1951 98.1 x 150.5 cm.
1952
untitled"
1951-52 200 x 300 cm.
"Les Golgolteurs"
1952 (52/8) 194 x 287 cm. private collection, Geneva
"Le Dévorateur de pomme"
1952 (52/27) 100 x 80 cm. private collection, Rome
)
)
)
)
)
)
)
)
)
)
)
)
)
)
)
)
)
)
)
)
)
)
)
)
)
)
)
)
)
)
)
)
)
)
)
)
)
)
)
)
)
)
previous gallery
next gallery